Sunday, August 24, 2008
Today I had a moment...
Friday, August 22, 2008
Political Propaganda
Tuesday, August 19, 2008
Teatro na Bahia
Destination: Teatro Castro Alves, Campo Grande, Salvador da Bahia.
Featured Artist: Rosa Passos, Opening Act: Alexandre Leão
I had a cool experience Sunday evening. A good friend of mine was visiting from NYC and we treated ourselves to the best type of Brazilian art: música! We dressed ourselves up, and after a nice dinner headed to the theater! Teatro Castro Alves is the “Lincoln Center”, or “Walt Disney Concert Hall” of Salvador. It is an enormous theater in the middle of a grand plaza in the center of the city. International groups such as Les Ballets Jazz de Montreal and popular Brazilian artists like Rita Lee perform at Teatro Castro Alves.
Rosa Passos is a world renown Bahian “Cantora de Músicas Românticas” influenced by the likes of Caetano Veloso and João Gilberto. She is a singer/songwriter with a spunky attitude and wonderful stage presence who helps define Bossa Nova!
Not realizing how popular of an event this is in Salvador, we didn’t reserve tickets in advance. Upon arrival at the theater, to our disappointment, the show was SOLD OUT! At R$20.00 a head, Rosa Passos sold out in Salvador! We knew there would be scalpers, so we decided to be dangerous and scope them out! Within seconds a scalper approached flashing “ingressos”. He was charging R$30.00 a head, and we were desperate. In my poor effort to bargain, we got the two for R$50.00, so R$25.00 a head. I figured paying 10 extra reais to see a world famous singer was worth it. But…
As we walked in the theater the guard looked at our tickets and asked us for our student ID’s – which neither of us had. Apparently, the tickets we had scalped were for the student’s rate of R$10.00!!! Ugh. Fooled by the scalpers! So much for “blending in” in Bahia! We fell for a classic tourist trap. After pleading and lying to the guard about where we got the tickets, he sent us back to the ticket booth to pay the difference for the upgrade. Seeing as we had gotten 75% of the way into the show, we decided to suck it up and put down another R$20.00 to upgrade our tickets to regular admission. So, R$70.00 later, we made it in!
The first thing I noticed inside the theater was how beautiful the architecture was. It was enormous inside, and filled with well-dressed Brazilians of all ages. We waited for the show to start in the open courtyard, sipping on some café com leite with the locals in anticipation of call time! The theater filled up immediately, surprisingly punctual for Brazilians! Our seats ended up being great with clear views of the stage. I was so excited to see such a large group of locals at the theater on a Sunday evening. It was really incredible.
The opening act, Alexandre Leão, was surprisingly pleasing! His music was upbeat and got the crowd excited. I had never heard his stuff – it was sort of samba mixed with bossa nova. His last song required audience participation to serenade the main act onto stage. “Rosa, Morena, Baiana…” the audience hummed. Rosa Passos entered the stage with her cute samba shuffle and the crowd went wild! She took over the mic and before I knew it, the entire audience was singing along to her song. I thought the karaoke from the audience would stop after the first song. Nope. The audience sang along the entire show! I have been at concerts where the audience sings along, but never in a fancy theater to slow love jams… hahaha. But in Brazil, they do! Rosa didn’t seem to mind the added background music and continued to put on a great show. This clears so much up for me – now I understand why my Brazilian cousin shamelessly sang along to the entire Phantom of the Opera musical when I took her to see it on Broadway! (I was mortified)… But this is how they do it in Brazil!
It was interesting to experience a different social class in Salvador. Most of my day is spent walking around in areas, or on buses with Brazilians of a lower socio-economic class. At the Teatro I was exposed to the fancier side of Salvador, reminding me much of a night out in Montreal, or New York. Most of all, I was pleased to see so many Brazilians gathering for a night of leisure, with their families, to appreciate some incredible art. R$20.00 is a totally reasonable price in Bahia, so I also applaud the Teatro Castro Alves for making their events so available to the public, and believe that this is the only way Rosa Passos can sell-out in Salvador.
Remember, if you’re looking for some good Bossa Nova: Rosa Passos and Alexandre Leão – I give them two thumbs up!
Meaguinha.
Saturday, August 16, 2008
A Criança in Bahia
Today I made a friend. We didn’t exchange names, and to him I was just “Tia”. I was on the beach, alone and reading my book when my little friend approached me. I was ready to say “No, obrigada” while avoiding eye contact, as I do with every other overly persistent vendor on the beach. But I noticed he was a child, so I listened.
He asked me to watch his stuff while he went to “tomar um banho”. In Brasil, we use the phrase “take a bath” when referring to swimming as well as literally taking a bath (in your shower). His stuff consisted of the clothing he was selling on the beach to make money for his family. Although I didn’t ask, my guess is that he was about 10 or 11 years old. Ten years old, and working on the middle of what should have been a school day.
I told him that I would watch his stuff and make sure it was safe while he swam. He dropped his stuff, tightened the strings on his sunga and took off towards the ocean. For a brief moment, in his exhilarating sprint from me to the first breaking wave, he was a kid again. In an odd way, I felt responsible for him, so I watched each dive and breath he took. I watched him swim for over 40 minutes, during which he started to play with some American children - clearly tourists in Bahia. It was apparent from the beginning of their “playing” that my little Bahian friend was different. Where the American children played with him as if he were none other than their next-door neighbor in their cute, suburban town, my Bahian criança was clearly aware of the difference in culture, in color, and in life. There were fewer smiles and hesitant laughs.
He came back to me and thanked me. I assured him that it wasn’t a problem, and asked how his “bath” was. He smiled and said “foi muito bom”! I watched him clear off a piece of wood on the ground next to me and lay down, face up, without a towel to “bronzear”. This warmed my heart because I fully expected him to take his stuff back and head back to work. I was happy for the company.
Within minutes another beach vendor approached me selling “salada de frutas”. My little friend caught my eye and I knew he was hungry after all that swimming. I slipped him R$2.00 and watched his grin as he jumped up off his piece of wood to proudly purchase a fruit salad for himself. Within minutes it was finished. He thanked me and sat back down.
We laid next to each other in silence for a bit and then I started to reapply suntan lotion. He asked if he could use some too. I smiled to myself because this little boy was so dark that it would be impossible for his skin to burn… or so I thought! J I teased him and told him that he was too “Moreno” for sunblock. He smiled but insisted that his face needed some. So of course, I shared. He splashed way too much lotion all over his face, his arms, his stomach, his legs… everywhere! Unfortunately, this priceless moment wasn’t caught on camera because I usually don’t bring mine to the beach.
He left me within the hour, we shook hands and that was that. I like to think that he felt happy about our interaction. I hope that my ability to speak Portuguese and my willingness to help and to share made him feel positive about his interaction with a “tourist”. I wish I could have asked him so many more questions. I want to know his name, and his age, and his story. I want to know if he has ever gone to school, and how many siblings he has. I want to know if his parents are still alive, and if he has running water in his house. These are questions that I will never have answers to, nor would they have been appropriate to ask at the time. I can only hope that his work, selling t-shirts to tourists on the beach in Bahia, helps his family in a constructive way. Pelo menos, eu espero que ele esteja aprendendo coisas que irão lhe deixar uma vida melhor.
Sunday, August 10, 2008
Buenos Aires, Argentina!
I asked an Argentinian friend about poverty in Buenos Aires. She immediately said that they are all poor! I smiled, thinking back to where I am living in Salvador... and then I explained myself. I realize that the Argentian economy is not at its hottest moment, and the Brazilian real is actually stronger than the Argentinian peso, but Buenos Aires does a great job of hiding its difficulties behinds walls of fancy apartment buildings, well-maintained streets, and the apparent lack-of shanty towns in and around the city. I walk on the streets in the middle of the night and feel completely safe here. I would never do this in Brasil, for example. It has a different feeling, a safe and contemporary vibe. I would say a "second-world" experience. :)
In spending time with the Capoeira Brasil Buenos Aires group, I've been invited into homes in neighborhoods that guidebooks would never have taken me to. Areas such as Martinez, San Isidro and Olivos have been some of the greatest discoveries for me in Argentina. They are beautiful cobbled-stone neighborhoods, far from the hustle and bustle of tourist-frequented Centro de Buenos Aires.
I have to do my research, but apparently Argentina is having a problem with "monedas", or small change. As a result, public transportation is affected. A ride on a "Colectivo" or "Subte" is $0.90 centavos, which means that if you give 1 peso, you expect $0.10 centavos back. As a result of the disappearance of monedas, small change has become a precious entity in the city. Often times, public transportation has been free. What I think happens is that as soon as the Subte station runs out of change, they start opening the doors for the public to enter free of charge. There are no electronic booths to buy rides or Subte cards, like in New York, everything is done with cash. I can only imagine the repercussions this city is experiencing as a result. Even something simple like giving pocket change to the homeless is immensely affected.
Capoeira Brasil Buenos Aires is a small group of about 15 solid capoeiristas under the instruction of Bugiganga, a professor from Minas Gerais. CB-BA has opened its arms and been a wonderful host to me. The group has great energy and thus far has been one of my favorite to train with down here!
Lots of new photos from Argentina on my photo website: www.fotki.com/meaguinha!
Uruguay is tomorrow, and then back to Salvador to wrap-up my summer.
Até Logo,
Fadinha